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Player One Ares-M Pro Mono IMX533 Cooled Astrophotography Camera

SKU POA-Ares-M-Pro
Original price CA$1,398.00 - Original price CA$1,398.00
Original price
CA$1,398.00
CA$1,398.00 - CA$1,398.00
Current price CA$1,398.00
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  • Features Sony's IMX533 1" square monochrome CMOS sensor
  • 9 Megapixel resolution (3008x3008) with 3.76μm pixels
  • 73k e- full well capacity
  • High quantum efficiency with a peak of approximately 91%
  • 2-stage TEC cooling provides a 35°C-40°C delta below ambient
  • High-speed readout at up to 43 FPS at full resolution (RAW8)
  • 420g carbon fiber body; front 3-point tilt plate fitted, rear 4-point plate included
  • 512MB DDR3 buffer memory for stable data transfer
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See exactly how your targets fit with the Player One Ares-M Pro Mono IMX533 Cooled Astrophotography Camera, on real sky survey data.

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Check which filter and adapter sizes clear the sensor with the Player One Ares-M Pro Mono IMX533 Cooled Astrophotography Camera, and how much light the corners lose.

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  • Description
  • FAQ
  • Specifications
  • In the Box
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  • Warranty
  • Player One Ares-M Pro Mono IMX533 Cooled Astrophotography Camera

    The Player One Ares-M Pro camera integrates the 9MP Sony IMX533 monochrome sensor with a powerful 2-stage TEC cooling system capable of a 35°C to 40°C temperature reduction. It has a 1-inch square format, 3.76μm pixels and a 73k e- full well, and a 512MB DDR3 cache supports up to 43 FPS (RAW8) at the full 3008x3008 resolution. It is great for deep-sky imaging and can also do solar and lunar imaging.

    The Ares-M Pro: A 9MP Cooled Mono Camera for Deep-Sky and Planetary

    Player One developed the Ares-M Pro as a camera that is great for deep-sky imaging and can also do solar and lunar imaging. For deep-sky work it brings a monochrome sensor, regulated two-stage cooling and readout noise down to 1.0e.

    For high-resolution solar, lunar, and planetary work, the camera's high-speed readout and large buffer become critical. It reaches up to 272 FPS (RAW8) at 640x480, which suits lucky imaging. Its 1-inch square sensor can easily capture the full disk of the Sun and Moon with short focal length refractors, and makes mosaic work more efficient. Solar imaging needs a proper solar filter on the telescope.

    The Sony IMX533: A 1-inch, 9MP Square-Format Sensor

    At the core of the Ares-M Pro is the Sony IMX533, a back-illuminated sensor with a 1-inch format and a 16mm diagonal. Its 3008x3008 resolution gives 9MP in a square format on an 11.31mm x 11.31mm chip; the 1-inch size is quite big for imaging.

    The camera is based on Sony STARVIS technology, a back-illuminated pixel technology for CMOS sensors, which places the wiring layer behind the photodiodes.

    73k e- Full Well and Dual Sampling Down to 1.0e Read Noise

    The full well is 73k e-, which is almost 1.5 times the 50k e- of the basic IMX533. A deeper well means bright stars take longer to saturate in each sub-exposure.

    To optimize performance for different targets, the camera features two selectable readout modes:

    • Normal Mode: This mode has the faster frame rate, and it suits planetary imaging.
    • LRN (Low Readout Noise) Mode: This mode has lower readout noise and higher dynamic range, and it suits deep-sky imaging. HCG switches on at gain 125.

    14-bit ADC and 91% Peak QE

    Signal from the sensor is digitized by a 14-bit Analog-to-Digital Converter (ADC). This allows the camera to distinguish between 16,384 different levels of brightness, capturing subtle variations in nebulosity and faint stellar magnitudes.

    The Ares-M Pro's monochrome sensor achieves a peak Quantum Efficiency (QE) of approximately 91%. This means that at its most sensitive wavelength, it converts 91 out of every 100 incoming photons into a measurable electronic signal.

    2-Stage TEC Cooling: A 40°C Delta with an Integrated Anti-Dew Heater

    To control thermal noise during long exposures, the Ares-M Pro integrates a 2-stage thermoelectric cooling (TEC) system. The standard delta T is 35°C to 40°C below ambient (at 30°C ambient, fan 100%). The recommended settings are 30°C to 35°C below ambient, fan 50 to 70% and dew heater 10%; the fan defaults to 50%. Dark current is 0.000044 e/s/pix at -20°C and 0.000996 e/s/pix at 0°C.

    The cooling system is fully regulated, allowing you to set a precise target temperature for consistent calibration with dark frames. An anti-dew PCB sits at the front of the camera, in front of the D32x2mm AR Plus multi-coated window, and its heat power is adjustable; dew is the biggest enemy in astro imaging. You can control the target temperature, fan speed, and dew heater power directly in the ASCOM driver settings.

    512MB DDR3 Cache and USB 3.0 for 43 FPS Capture

    The Ares-M Pro is equipped with a 512MB DDR3 memory buffer. This cache acts as a temporary storage space for image data before it is transferred to your computer, and it stabilizes data transmission, effectively avoids frame dropping and greatly reduces readout noise. Recording speed also depends on your disk; a good solid state drive is recommended.

    Over its USB 3.0 interface, the camera can stream its full 9MP (3008x3008) resolution at up to 43 FPS in RAW8 mode or 19.5 FPS in RAW16 mode. With the DDR3 cache the camera no longer needs a powerful computer and still performs very well on a USB 2.0 port.

    Non-Amp-Glow

    The Ares-M Pro dark frame is totally dark, and it is a Non-Amp-Glow camera; a 300s dark frame (gain 0, offset 10, -10°C) shows it.

    This gives a very clean background, which makes high-quality images easier to get.

    17.5mm Back Focus with Dual 3-Point and 4-Point Tilt Adjusters

    A sensor tilt plate adjusts the sensor angle so that stars at the corners are rounder. The Ares-M Pro comes with both a front and a rear plate. The camera comes with a standard 3-point front tilt plate, which allows you to adjust the sensor plane from the front of the camera. Most users have experience with this type, and it works well in many basic setups. The back focus is 17.5mm.

    For more complex imaging trains, a 4-point rear tilt plate is also included. It is necessary when you use a filter wheel or filter drawer and an OAG with a fixed angle, and convenient for RASA users. A built-in high-density sponge pad blocks light from the side slits. The camera body has 6x M2.5 holes on R27, so it bolts directly to Player One filter wheels and OAGs.

    The Ares-M Pro Advantage: Monochrome LRGB and Narrowband Imaging

    As a monochrome camera, the Ares-M Pro records every pixel through the filter you choose. Unlike a color camera where pixels are permanently filtered red, green, or blue, every pixel on a mono sensor is free to capture the full spectrum of light. This makes it significantly more sensitive, especially for narrowband imaging.

    By shooting through separate Luminance, Red, Green, and Blue (LRGB) filters, you build full-colour images, and with H-alpha, SII and OIII narrowband filters you isolate the light of specific gases in emission nebulae, which also helps under light-polluted skies.

    12V DC Cooler Power and Uncooled USB-Only Operation

    To power the 2-stage TEC cooling system, the Ares-M Pro requires an external 12V DC power supply connected to its 5.5x2.1mm port. While the camera's maximum power consumption is 3A, use a power adapter rated for at least 5A to ensure stable and reliable cooler performance. The power adapter is not included with the camera.

    The camera's design includes overvoltage and overcurrent protection to safeguard its electronics. The back of the camera has two Type-C data ports (the main one supports USB 3.0) and the 12V port. If you do not need cooling, connect only the main Type-C port and the camera works as an uncooled camera.

    Drivers, ASCOM and Your First Night

    Player One provides its drivers, including the ASCOM driver, on its software download page. The ASCOM window holds three parameters: target temperature, fan speed and anti-dew power. The manual also mentions SharpCap 4, whose Sensor Analysis function lets you test the readout noise yourself.

    Getting started is straightforward. First, connect the camera to your PC via USB and, if cooling, connect the 12V power supply. Install the drivers from the Player One website. Open your capture software, select the Ares-M Pro from the camera list, and configure your cooling target. You are then ready to focus and begin your imaging session.

  • What makes the Player One Ares-M Pro good for both DSO and planetary imaging?

    The Ares-M Pro combines features ideal for both. For deep-sky objects (DSO), its 2-stage TEC cooling, low readout noise (down to 1.0e), and deep 73k e- full well are critical for clean, long exposures. For planets, the Sun, and the Moon, its ability to capture up to 43 frames per second at full 3008x3008 resolution allows you to use lucky imaging techniques to overcome atmospheric seeing.

    How do the dual sampling modes on the Ares-M Pro work?

    The camera offers two readout modes for different targets. Normal Mode has the faster frame rate, and it suits planetary imaging. LRN (Low Readout Noise) Mode has lower readout noise and higher dynamic range, and suits deep-sky imaging.

    What kind of power supply do I need for the Ares-M Pro's cooling system?

    To run the 2-stage TEC cooling system, you need an external 12V DC power supply with a 5.5x2.1mm plug. The power adapter is not included. While the camera's maximum draw is 3A, a power adapter with a minimum rating of 5A is required for stable operation. If you only connect the camera via USB-C without the 12V supply, it will function as an uncooled camera.

    Why does the Ares-M Pro have both front and rear sensor tilt plates?

    The dual plates offer flexibility for correcting sensor tilt in any imaging train. The default front 3-point plate is used to adjust tilt directly at the camera's face. The alternate rear 4-point plate is necessary with a filter wheel or filter drawer and an OAG at a fixed angle, and it is convenient for RASA users.

    How well will the Ares-M Pro's 1-inch sensor frame the Rosette Nebula (NGC 2244) with an 80mm f/6 refractor?

    An 80mm f/6 refractor has a focal length of 480mm. With the Ares-M Pro's 11.31mm x 11.31mm sensor, you get a field of view of approximately 1.35 x 1.35 degrees. The Rosette Nebula is about 1.3 degrees across, so it just fits, with very little margin; a slightly shorter focal length gives more room.

    Can I use the Player One Ares-M Pro to capture a full-disc image of the Moon with an 8-inch SCT?

    Not in one frame. At about 2032mm the 11.31mm sensor covers about 0.32°, while the Moon is about 0.5° wide. A full disc needs a focal length of roughly 1,200mm or less; the 1-inch square sensor easily captures the full Moon and Sun with short focal length refractors, and it makes mosaics more efficient.

    What is the advantage of the Ares-M Pro's 512MB DDR3 buffer?

    The 512MB DDR3 cache acts as an internal memory buffer, ensuring stable data transfer from the camera to your computer. It prevents dropped frames during high-speed recording and reduces readout noise. The camera still performs very well on a USB 2.0 port; for recording, a good solid state drive is recommended.

    Is the Player One Ares-M Pro suitable for a beginner?

    It can be, if you are ready to learn monochrome imaging. Setup is the usual driver installation and ASCOM control. The main learning curve is associated with monochrome imaging (using filter wheels and processing LRGB data), which is a standard process in astrophotography. Its Non-Amp-Glow background makes high-quality images easier to get.

    How does the Ares-M Pro handle amp glow?

    The Player One Ares-M Pro is a "Non-Amp-Glow" camera. Its dark frame is totally dark, as a 300s dark frame at -10°C shows. This gives a very clean background.

    What software do I need to use the Ares-M Pro camera?

    You will need to download and install the latest drivers from the Player One Astronomy website. Player One provides an ASCOM driver for capture programs that use ASCOM, and its manual mentions SharpCap 4, whose Sensor Analysis function tests readout noise.

  • Sensor Sony IMX533 1" Monochrome CMOS
    Resolution 3008×3008 (9MP)
    Pixel Size 3.76μm
    Sensor Diagonal 16mm
    Image Size 11.31mm × 11.31mm
    ADC 14-bit
    Quantum Efficiency (Peak) ≈91%
    Full Well Capacity 73k e-
    Readout Noise 4.46e to 1.0e
    Shutter Type Rolling Shutter
    Exposure Range 32μs - 2000s
    Max Frame Rate (Full Res) 43 FPS (10-bit)
    Cooling System 2-Stage Thermoelectric (TEC)
    Cooling Delta T 35°C - 40°C below ambient
    Data Port USB 3.0 / USB 2.0 (Type-C)
    Power Port (Cooler) 12V DC 5.5x2.1mm (5A minimum adapter required)
    Protective Window D32*2mm, AR Plus Multi-Coated
    Back Focal Length 17.5mm
    Mounting Threads M42x0.75
    Diameter 78mm
    Weight 420g
    Operating Temperature -10°C to 60°C
    Operating Humidity 0% to 80%
    3008×3008 43 FPS (RAW8) / 19.5 FPS (RAW16)
    2560×1440 95 FPS (RAW8) / 40 FPS (RAW16)
    1920×1080 125 FPS (RAW8) / 53 FPS (RAW16)
    1280×720 185 FPS (RAW8) / 79 FPS (RAW16)
    800×600 220 FPS (RAW8) / 93 FPS (RAW16)
    640×480 272 FPS (RAW8) / 115 FPS (RAW16)
    Buffer memory 512 MB DDR3
    Built-in tilt adjuster Yes (front 3-point; rear 4-point plate included)
    Screw-hole mount 6x M2.5 on R27 (bolts directly to Player One filter wheels and OAGs)
    Color or Mono Mono
    • Camera + Metal Cover

      × 1

    • M48F-M42M Extender 17.5mm

      × 1

    • M42F-M42M Extender 20mm

      × 1

    • M48M-M42F Adapter 0mm

      × 1

    • T-mount and 1.25" Cover

      × 1

    • Air Blower

      × 1

    • Type-C to Type-A 2M USB3.2 Cable

      × 1

    • Type-C to Type-C 0.5M USB2.0 Cable

      × 1

    • Type-C to Type-B 0.5M USB2.0 Cable

      × 1

    • Screwdriver x1, M2 Hexagonal Wrench x1, a bag of M2.5 screws

      × 1

    • Rear 4P tilter

      × 1

    • Camera Bag, Cable Tie

      × 1

  • Player One 2-Year Warranty